Coinciding with the release of Catherine Brillette’s exquisitely beautiful and scandalous “Last Summer”, The Unloved looks at the contradictory end of Brillette’s second period as a filmmaker, following her outrageous output of the 1970s, and the rebirth of fairy tales. And before their turn, which seemed to open them. He only hinted at a sensitivity in works as diverse as “Fat Girl” and “36 Fillets”. “Anatomy of Hell” is the best part of his vicious autobiography. Sensitive viewers should be cautioned, there are images here that are shocking. But don’t blame me. Blame one of the most polarizing artists of the last half century.